In this section I'll try to shed some light on several aspects of Popol Vuh and their music. Making use of sources for as far as they are known to me. I have listed them in the bibliography.
• Popol Vuh - as religious music
Florian Fricke and his mates understood their music as religious music.
• Popol Vuh - as film music
At the same time the music is often composed for and/or used for films of Werner Herzog, a.o.
• Popol Vuh - live:
How did they try to built up an audience for their music? Performing live was not important for them.
• Popol Vuh - announced or mentioned but never released:
Over the years Florian Fricke made mentioning of projects and collaborations that never made it.
• Biographical Notes:
On crucial bandmembers and other related persons.
• Choir organ:
What can be said on this mysterious instrument so important for the 'Aguirre'-pieces.
With this instrument it all started. What did they expect from it?
Another activity of Florian Fricke. How is it related to his music?
Dolf Mulder at the Klaus Kuhnke Archiv, Bremen. Summer 2008,